reflections

Not all windows
are windows.

Even a window
is not always
a window.

And sometimes
something that isn't
a window
is the best window.


image: Robert Motherwell, Open Study No. 3, 1968 Charcoal on paper

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open

The Open series is also crucial for a complete understanding of Motherwell's work. He began the Opens in 1967, responding to the impulse in European and American visual arts to regard painting as a window. The notion of the window had figured into his work from the beginning of his career, as early as 1941, when he painted the Museum's Spanish Picture with Window. The Open series represents Motherwell's joining of his longstanding interest in the window with his new notion of how to a make a painting. Each of the Open works, which are characterized by sparse visual components and serene, uncomplicated color, contain a charcoal-delineated rectangle (or three-sided rectangle), which the artist acknowledged partially derived from whitewashed adobe facades. He said, "I've always loved Spanish houses with those big, plain, stark facades, with a dark doorway cut out of the expanse, or say, two windows beautifully cut out of a magnificent whitewashed wall." (from Modern Art Museum of Fort Worth)

Robert Motherwell
top: Open No.24 in Variations of Orange
bottom: Untitled (Open in Yellow, Black and Blue), 1971

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