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Showing posts with label Rainer Maria Rilke. Show all posts
Showing posts with label Rainer Maria Rilke. Show all posts

5.24.2013

a gleam in the windows

If Elisabeth has time at the end of her studies, she could read literature, but Rilke’s advice is ‘to look into the blue of the hyacinths. And the spring!’ He gives her specific advice about her poems and about translation; after all, ‘it is not the gardener who is encouraging and caring who helps, but the one with the pruning-shears and spade; the rebuke!’ He shares his emotions about what it is like to have finished a great work. You feel a dangerous buoyancy, writes Rilke, as if you could float away.
In these letters he becomes lyrical:
'I believe that in Vienna, when the dragging wind is not cutting through you, you can sense the spring. Cities often feel things in anticipation, a paleness in the light, an unexpected softness in the shadows, a gleam in the windows – a slight feeling of embarrassment of being a city…in my own experience only Paris and (in a naïve way) Moscow absorb the whole nature of the spring into them as if they were a landscape…'
And then he signs off: ‘Farewell to you for now: I deeply appreciated the warmth and friendship of your letter. May you keep well! Your true friend RM Rilke.’

Just think what it must have been like to get that letter from him. Imagine seeing his slightly right-sloping and looping handwriting on the envelope from Switzerland as the post is brought into the breakfast-room in the Palais, your father at one end opening the beige book-catalogues from Berlin, your mother at the other with the feuilleton, your brother and sister arguing quietly. Imagine slitting open the envelope and finding that Rilke has sent you one of his ‘Sonnets to Orpheus’ and a transcription of a poem of Valéry. ‘It is like a fairytale. I cannot believe it belongs to me,’ she writes back that night from her desk pushed up against the window looking onto the Ring.

They planned to meet. ‘Let it not be a short hour, but a real moment of time,’ he writes, but they were unable to meet each other in Vienna, and then Elisabeth got the time wrong for their meeting in Paris and had to leave before he arrived. I find their telegrams. Rilke at the Hôtel Lorius in Montreux, 11H 15 to Mademoiselle Elisabeth Ephrussi, 3 rue Rabelais Paris (Réponse payée), and her response forty minutes later and his the next morning.
Then he was ill and couldn’t travel, and there is a hiatus while Rilke is in the sanatorium where they are trying to treat him; then a final letter a fortnight before his death.



from Edmund de Waal, The Hare with Amber Eyes, where he tells the story of the friendship between his grandmother, Elisabeth de Waal, baroness Ephrussi, and R. M. Rilke. I should have only selected that quote from his letter, but i found the entire story so touching that i posted most of it. you can find the book here


6.06.2012

like the lyre







COMME LA LYRE


Depuis quand nous te jouons
avec nos yeux, fenêtre!
Comme la lyre, tu devais être
rendue aux constellations!

Instrument tendre et fort
de nos âmes successives,
arrache enfin de nos sorts
ta forme définitive!

Monte! Tourne de loin
autour de nous qui te fîmes.
Soyex, astres, les rimes
trouvées a nos bouts de destin!


Rainer Maria Rilke



LIKE THE LYRE

 
Window, just how long have we
played you with our eyes!
Like the lyre, you should be
one of the constellations!

Tender and strong instrument
of our successive souls,
tear out your permanent
form at last from our fates!

Climb! And from afar
spin around us who created you.
Be the rhyme, O star,
found at the end of our end!

Translated by A. Poulin Jr.


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8.31.2011

before summer rain

Suddenly, from all the green around you,
something-you don't know what-has disappeared;
you feel it creeping closer to the window,
in total silence. From the nearby wood

you hear the urgent whistling of a plover,
reminding you of someone's Saint Jerome:
so much solitude and passion come
from that one voice, whose fierce request the downpour

will grant. The walls, with their ancient portraits, glide
away from us, cautiously, as though
they weren't supposed to hear what we are saying.

And reflected on the faded tapestries now;
the chill, uncertain sunlight of those long
childhood hours when you were so afraid.


Rainer Maria Rilke

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